Music in the Context of 20th-century Theatre PW65100014 PWM

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    INTRODUCTION
    J. Błoński, An Introduction to Contemporary Theatre
    R.S. Hatten, Penderecki's Operas in the Context of Twentieth-century Opera
    K. Szwajgier, The Avantgarde and Avantgardism as Exemplified by Penderecki
    FROM THE MOST RECENT WORKS OF PENDERECKI
    R. Robinson, Elements of Synthesis in Penderecki's "Symphony No. 7: Seven Gates of Jerusalem"
    T. Malecka, Penderecki's Hymn "Glory to St Daniil, Prince of Moscow"
    R. Robinson, Penderecki's "Credo"
    THE DEVILS OF LOUDUN AND THE THEATRE OF MORAL ANGST
    E. Boniecki, Penderecki's "The Devils of Loudun" and the Case of Urban Grandier
    Z. Helman, "The Devils of Loudun". Genre – Form – Style,
    S. Downes, Daughters of Kundry? Laughter and the Grotesque in Penderecki's The Devils of Loudun
    A. Tuchowski, The Music Theatre in Relation to Societehnical Problems: "The Devils of Loudun" as Seen in Contrast to "Peter Grimes" and other Operas by B. Britten

    PARADISE LOST AND THE REVIVAL OF RELIGIOUS THEATRE
    P.A. Castanet, Messiaen et l'avnement de l'opéra religieux
    N. O'Loughlin, The Dramatic, Musical and Biblical Context of Schönberg's "Moses und Aron"
    I. Mamczarz, Origine et développement de la sacra rappresentazione
    R. Chłopicka, "Paradise Lost": A Contemporary Interpretation of the Biblical Story of Salvation
    R. Robinson, Some Problems of Instrumentation in Penderecki's Opera Paradise Lost
    E. Wójtowicz, Some Harmonic Aspects of Krzysztof Penderecki's Paradise Lost
    A. Draus, Krzysztof Penderecki, Paradise Lost. From Milton's Poem to the sacra rappresentazione Libretto

    THE BLACK MASK AND THE THEATRE OF EXTREME EMOTIONS
    T. Chrzanowski, The Theology of Horror
    R. Chłopicka, A Contemporary Expressionistic Vision of danse macabre
    A. Łabędzka, Krzyszof Penderecki's Opera "The Black Mask" as a Starting Point for a Comparative Study of Middle-European Baroque and Modernism
    UBU REX AND THE THEATRE OF THE ABSURD
    Z. Skowron, Ubu Rex and the Theatre of the Absurd. Several Observations
    I. Lindstedt, From Rossini to the Contemporary Avantgarde. The Interplay
    M.A. Harley, Penderecki's "Ubu Rex" and Surrealism in Polish Music Theatre
    A. Chłopecki, The Pataphysical Context of the New Opera
    DISCUSSION / DYSKUSJA
    On producing Krzysztof Penderecki's Works for the Stage
    Wokół realizacji dzieł scenicznych Krzysztofa Pendereckiego
    Documentation of the Symposium


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